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暮 归 图 尺寸:68×121cm
1998年作 |
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自然山川与人类社会生活相比变化是微乎其微的，然而以自然 |
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山川为对象的山水画变化却很大，这是因为社会生活条件变了，人 |
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变了，人的审美感情变了，因而新选择的“镜头”也变了的缘故， |
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表面看来描画山川景物与社会生活无关，其实景物常常是媒介，写 |
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景是为了寄情，山水画不同于主题性的人物画，但就其表现审美感 |
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情而言，虽方式、途径各异，实则又是殊途而同归的，从这个意义 |
| Comparing with the
changes in mankind society, the |
上讲，创作离不开生活，看来朱英华注意到了这一点，他用敏锐的 |
| changes in montains
and streams in nature is extremely |
眼光把握着主观和客观之间的关系，我相信，凭他的才华，定会走 |
| minute.But,the changes
in landscape is very great.This |
的更高更远些。 |
| is because the
materials of paintings will be changed |
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| with the social living
state and the peolple's opinions |
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| for appreciation.
On the surface, the landscapes isn't |
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related to the social
living.But,the scenery is always the medium.We paint the views
for consigning our
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feelings.On the appreciation, the landscapes are same as the
characters' paintings ，even their rules are
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difficult. So,the creation can't escape from the life.It seem
that Mr.Zhu Yinghua has known the opinion
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With his sharp taste,he is confidencing the relation between
subjectivism and objectivism.I believe that
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he can enter a higher state with his talent.
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a famous
critic of China、vice-chief
editor of Art
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